Potpourri
Pomegranates for Slackers
I have had a fascination with pomegranates ever since my first grade class studied them. It was a very special study. My wee classmates and I got to get out of our tiny melamine-topped, paste-scented desks and go to a BIG table at the back of the room, where we were actually encouraged to speak out loud about our observations of the beautifully strange, bumpy sphere before us. Our diminutive white-haired teacher and our frizzy-haired hippie student teacher didn’t tell us its name until after this very scientific process was completed. Keep in mind that this was 1971 in northwestern Oklahoma, and Eastern/Mediterranean fruit (unlike horehound candy) was not readily available at the corner grocery. They recorded our keen observations and comments, and published them in little booklets, via the wondrous purple-inked ditto machine. My insightful contribution? “The yellow part tastes like hairspray!” I find it a little ironic that one of my closest friends here in Arizona grows pomegranate trees in her backyard AND has her own hair salon. And, I’m glad to report that my appreciation for the more flavorful nuances of the pomegranate have extended beyond comparisons to beauty products. I now consider the pomegranate a product of beauty itself.
So, why is this product of beauty occupying my thoughts this morning? I, along with others from my church, am currently attempting to systematically read through the Bible in a year. It’s too early to tell how successful I will be in this endeavor. Last year I considered trying Margie Haack’s method, i.e., the Bible Reading Program for Slackers and Shirkers, but I ended up being too much of a Slacker/Shirker to even start it. (You can find the program on the Ransom Fellowship website; just enter “Bible Reading” in the key word search.)
Using my current (non-slacker) plan, I’ve made it to that part in Exodus where things begin to get a little detailed and mind-numbing – the instructions for designing the tabernacle, the garments for the priests, etc. What keeps a Slacker/Shirker motivated in such sections? You guessed it. Pomegranates!
Meet My Neiman, Marcus
I Am a Small Bus Driver
Confessions of a Fennel Fan
I’m not usually one to gush about cookbooks. I leave that to the gourmet cooks in my house; i.e., my husband and daughter. But over the past few months it’s become apparent to me that our cookbook library contains a pathetically underused resource – the Weight Watchers New Complete Cookbook. Keep in mind this book is not actually “new,” being published in 1998. I still remember the day we purchased ours at Costco when my husband was on a business trip in Washington state. I took it home, and over the next couple of years made about four recipes from it: Beef and Pasta, Southern Oven “Fried” Chicken, Tacos with Salsa, and Oven “Fries.” Notice how many of these recipes contain the words “fried/fries.” But we have turned over a new leaf at our house, and this time I am wearing this book out.
Novices like me can get easily discouraged with these kinds of cookbooks. They call for ingredients like capers and artichoke hearts and tonight’s featured ingredient – fennel! (I actually had to ask the produce guy to show me what it looked like. )
What I’m learning is that one can’t be intimidated by the ingredients. (Most really aren’t that unusual.) Tonight’s ingredients for Chicken and Artichoke Packets included boneless skinless chicken thighs, artichoke hearts, chickpeas, chopped fennel, shredded carrot, Parmesan cheese, minced thyme and Italian dressing. It was amazing!
If your New Year’s resolution includes eating healthier, you really ought to stir up the ambition to find one of these cookbooks. (They’re very reasonably priced on Amazon.) My red-meat addict hubby even admits to liking the Monterey Jack Turkey Burgers. Some of us think they’re better than the average beef burger. And who knows? You, too, might find a friend in fennel!
Never Fear, Stephenie Meyer
Stephenie Meyer had a dream, wrote a book and became a billionaire. Why can’t I do that? I’ll tell you why – I don’t have the right dreams. (That’s what happens when you don’t sleep much, I guess.) Oh, I’ve had some doozies (especially when I was pregnant) but none of the glittering vampire kind. I did have one that was so Alice-in Wonderland-ish that I wrote it down. Think Alice in Wonderland meets a Dr. Seuss jibboo meets C.S. Lewis’ Space Trilogy. When I remembered the dream it was apparent to me what had been on my mind: the book I was reading and my younger brother. I’d also been having thoughts about my son needing to…well, I’ll keep you hanging about that. You might not read this otherwise.
The “This is Not a Stephenie Meyer Dream” Dream
I am standing in a glaringly sunny, sand-colored, barren field. I look up at what I think must be an art tree, something like the ones described in C.S. Lewis’ That Hideous Strength. The tree is a gigantic fir tree, but the smooth tan trunk is all bare except at the very top where there is half of a red and brown plastic cone. The cone sits atop the peak of the tree like an open Indian tepee.
I turn from the tree because I know I’m in that place for another reason, and I’m aware that some of my children are with me. I approach the steps of an arena that reminds me of the weathered wooden fairground grandstands in the small town where I grew up. The white paint is frayed and chipping on the battered steps, but before I can ascend them I must pay an entry fee to a dirty elf with an evil smile. I know that my two oldest daughters have already paid their fees, along with my youngest son’s fee. They are already in the arena. With my youngest daughter by my side, I stand at a table behind which the dwarf is sitting. I take a five dollar bill out of my wallet to pay our dollar entry fees. The dwarf teasingly refuses to give me my change. Even though he scares me a little, I boldly grab the oval money basket out of his grubby little hands. I rifle through the bills, searching for the correct change. I discover that while all the money has the color of real species, some of it is over-sized and obviously fake. Some of the bills have pictures of rabbit heads instead of presidents.
Next, I find myself seated in the shady grandstands. I am looking down at what is a racetrack, but I can only see one sunny section at the far end. As I wait for the race to begin, male announcers make comments about the entrants. To my surprise, they announce that my younger brother is in the race. I am confused because even though my brother lives in Virginia, they announce that he is from Talladega, Florida. They wonder aloud why he would be in the race since he has a newborn baby at home. (That part was a fact.)
I never see the race, but my brother apparently wins it. I see him, clad in blue denim coveralls and looking like someone who should be part of a pit crew, doing a victory lap. He is walking around the track, waving to people in the stands. Someone comes out of the crowd and hands him a bunch of over-sized electrical wiring. He drapes it around his neck like a gym towel. One strand is silver metal, twisted like rope; other strands are black, red and blue pl
astic tubing. A stranger next to me explains that this mass of wire and tubes is my brother’s trophy, comparable to an Olympic laurel wreath in ancient Greece.
I leave the grandstands and follow my brother and the crowd to the victory “circle,” a square of concrete outside the fairgrounds. My brother is told he can have one person be in a photo with him, and he chooses me! But when I start to walk up to be with him he decides he wants other people to be in the photo, too. In the end I am part of a group around my brother. I look out toward the crowd of celebrating on-lookers, and I see my 18-year-old son. He’s playing hacky sack in a circle of guys. He had gotten his hair cut.
A Mother Like Me
“His mother said, ‘Young man, why have you done this to us? Your father and I have been half out of our minds looking for you.” (Luke 2:48, The Message)
An Open Letter to My Book Bag
In the Middle; In Manure
“Heidi could go no further; the remembrance of the past, the excitement she had just gone through, the long suppressed weeping, were too much for the child’s strength…The doctor stood up and laid her head kindly down on the pillow. ‘There, there, go on crying, it will do you good, and then go to sleep: it will be all right tomorrow.'” This excerpt is found right in the middle of the classic story Heidi by Johanna Spyri. Of course, if you know the story, you know the events that lead up to Heidi requiring a doctor, and you know what follows. But I’m leaving you right there – in the middle. I’m leaving you there because that’s where I am. Right in the middle of some story, a sub-plot of my life. Perhaps that’s where you are, too. Events have occurred, events are occurring, and events are sure to follow. We can’t even be certain that what we’re now experiencing is “the middle.” Maybe we’re actually a couple of pages before the climax; maybe we’re several chapters away. We don’t know what’s on the next page or even in the next paragraph. Sometimes I think it’s a stretch to call this a story – it feels more like a pile of manure. (I did grow up on a farm, so I don’t mean that completely figuratively.) In his book Tell It Slant, Eugene Peterson writes, “Jesus is best known for his fondness for the minute, the invisible, the quiet, the slow – yeast, salt, seeds, light. And manure…this apparently dead and despised waste is teeming with life – enzymes, numerous microorganisms. It’s the stuff of resurrection.” Sometimes I (and maybe you, too) think the story is a more derogatory term for manure. But we would be foolish if we ignore Peterson’s reminder of the potential life-changing components of manure. We can’t lose sight of its resurrective potential. We must believe it will sprout the hopeful words of Heidi’s doctor, “It will be all right tomorrow.”
Between Wool and Work
It should have been there, between wool and work. Were my eyes deceiving me? How could something so foundational be omitted? It is core, central, indispensable. It paints vivid pictures, being “sharper than any two-edged sword,” a “lamp to my feet,” “pure as silver tried in a furnace,” and “sweeter than honey to my mouth.” It stands forever. It was in the beginning. But, it was not there, there where it should have been intentionally set – between wool and work…
The last two DVDs I rented were Adaptation and The Soloist. By mere coincidence these two very different movies, share a common dilemma. In both, lead characters (Charlie Kaufman in Adaptation and Steve Lopez in The Soloist) are writers, struggling to get stories onto screen and paper.
I am not a professional writer. I do not make a living by writing words. That is, unless by “living” one means the sustaining of one’s soul. In that case, I must confess that there is a lot of Charlie and Steve in me. I go a little nuts, get a little feverish and peevish when words fail me. And lately I’ve been existing between wool and work, between that which wraps me in sleep and that which occupies nearly every waking moment.
Charlie’s and Steve’s struggles with the written word were complex and unique. I would never presume to suggest what might have coaxed the stories from their hearts and minds. I do know the source of that which causes the words to flow from my soul. It is that which (for whatever the reasons of the editors of my Bible concordance) was left unnamed, yet is always, repeatedly, unfailingly there.



